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If Venice were a violin, the canals would be its strings, gondolas would be its player and the sea its luthier. Everything about Venice resembles an age-old fairy tale, or, as observed by Gerolamo Bardi, more than four centuries ago in his “About the Notable Things of Venice”; an impossible-possibility, a grandiose wonder, standing so far from the norm that it even can’t be considered a human creation but instead has to be placed unswervingly in the realm of God.
