Product details
Released in 1987, the HT-6000 came just as Casio was making a determined effort to carve out a swathe of the pro audio market. Machines like the CZ-1 phase distortion synth had already staked a claim, suggesting that Casio needn’t just be known for home keyboards; the follow-up FZ-1 sampler was a real eye-opener, offering 16-bit sampling at a shocking low price. Clearly Casio had serious designs on studio space – which makes the arrival of the HT-6000 all the more confusing.