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With so many great legato string libraries out there, why another one? We wanted performances that catered to… (yes, I have to say it) soaring string lines and dramatic passages by having the players really dig in with the vibrato and giving us all they had with the triple forte dynamic. This also meant approaching the sessions in a unique, musical way to capture the kind of singular legato we were looking for. Another focus was to dial things back with what we felt was necessary to produce credible string arrangements in a shorter amount of time. This involved creating a single, natural mix and omitting seldom-used legato articulations.